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GLAM

Cultural participation? It is (still) a privilege

Examples of intercultural and community practices that reduce barriers

The text analyzes the social and cultural barriers that in Italy limit access to cultural life, considered a citizenship right and a form of community relationship. Beyond physical, economic, or territorial obstacles, symbolic and ritual signals especially weigh, making culture perceived as an elitist space, excluding those who do not master its codes. The dominant cultural imagery, not very representative of the diversity present in the country, marginalizes stories and memories of underrepresented groups, particularly people with migratory backgrounds. The text presents examples of intercultural and community practices that reduce these barriers by making museums and libraries shared and participatory places. For these changes to become structural, long-term policies based on participatory governance, linguistic plurality, and redistribution of cultural power are needed. The final challenge is to redefine the 'we' of Italian culture, recognizing diversity as a resource and condition for a broader cultural democracy.

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Under a carob tree, in an urban flowerbed, several people from different backgrounds share memories connected to the carob tree
GLAM

Museum accessibility start online

The article explains which sections of a cultural site's website make a possible visit to the site welcoming and accessible.

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language

Multimodal generative AI and accessibility

AI Applications to support Communication

Gino Roncaglia, in an article dedicated to the possible uses of generative multimodal artificial intelligences, focuses on a particularly interesting aspect related to accessibility, with the automatic generation of highly personalized alternative descriptions based on communicative codes, different from the primary content. 

This contribution is excerpted from the article: Generative Multimodal Artificial Intelligence in the Humanities. Some Introductory Considerations, 2024, DIGITCULT, 8 (2), 127-137.

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museums

Beyond the Frames: Museums, Identity, and Intersectional Perspectives

What really changes for the public and communities?

Simone Briatore reflects on museum narratives through the lens of intersectionality and the relationship established with the audience.

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